State of Dogs (Mongolian: Нохойн орон, alternately Nokhoin Oron) is a Mongolian movie that was released in 1998, directed and written by Peter Brosens and Dorjkhandyn Turmunkh. The film was shown at the 1998 Venice Film Festival,[1] the 1998 Toronto Film Festival[1], the 1999 Yamagata International Documentary Film Festival,[2] and won the the Grand Prix at the 1998 Visions du Réel film festival in Nyon, Switzerland.[1] 　　Set in Mongolia's capital city, Ulan Bator, the film combines documentary elements with fictional elements[3] in the fragmented, impressionistic and dreamlike story of Baasar, a dog who dies early in the movie — shot by a hunter employed by the city to reduce it's dog population, which has more than one dog for each four humans in its population of 800,000.[4] 　　According to Mongolian legend, a dog (who is prepared) may be reincarnated in its next life as a human, after roaming free for as long as he wants.[5] Baasar roams the memory of his life, uninterested in advancing to a human life.[2] 　　The film includes brief interludes with a solar eclipse, a segment in which a young man recites poems directly to the camera, and a depiction of modern Mongolian life with undercurrents of mysticism and myth.[4] 　　Garth Stein, American author and film producer, was inspired by State of Dogs, to write his best selling novel The Art of Racing in the Rain.[6]

胡安是一个十三岁的男孩，他与他的盲人父亲马克一起前往阿根廷北部，目的地是马克那充满秘密的童年小镇。 这一路上，胡安发现了父亲的未知一面，而马克也通过儿子重新认识了自己的过去……这趟旅程让胡安做出了自己的选择。

《盲人追凶》是一部美国犯罪题材的电视剧，该剧只播出了一季(23集)，每集60分钟，播出时间为1971.09.16-1972.03.02。 　　. 　　剧中主角是名叫Mike Longstreet 的盲人侦探，在该剧第一集“The Way of the Intercepting Fist”中，李小龙作为Mike Longstreet 的武术教练讲解截拳道的理念。之后李小龙还分别在第六集、第九集、第十集中出镜。

A boring and ordinary life. Jun-young and Sung-jun may have something unusual, but they are bored with their daily routines. Then one day, Sung-jun learned about an invitation-only blind party from a junior in the company. Is there any reason for any man not to go? The place was full of excitement. Jun-yeong opened the door and while the place looked so much different, he could still recognize it instantly. One day without any word, a woman, Na-young, disappeared like a smoke. Because of a rule that he cannot ask anything, he ended up having sex with Na-young, and just like that, she disappears. Jun-yeong couldn’t tell if he’s dreaming or not. When he met Sung-jun and talked about what happened, Sung-joon will give him the contact details of the blind party organizer. After much thought, he finally contacted the host to see Na-young again. Na-young waits for Jun-yeong in the hotel room. How will the night be for Na-young and Jun-yeong?

This was made without looking at the drawings during the animation. A challenge that materializes the writer's perplexity: in a world of "communication", what does "seeing" mean?

主角與朋友透過傳聲筒在草原與花田間交流。某天，主角察覺朋友情緒低落，循對話線索穿越草原尋找對方，但只找到傳聲筒。雖感失落，朋友對花田的描述在主角心中逐漸浮現，景色與氣味仿佛鮮明可感。回到草原後，傳聲筒重新拉直，兩人再次展開對話，並約定去看彼此的世界。

1943年法国维希政府时期，一群犹太儿童在儿童庇护所生活了几年后必须避开德国纳粹的逮捕逃往瑞士，为了避开逮捕不得不与他们信任的成年人分开。这一群犹太孩子踏上了一条一切靠自己的逃亡之旅。 本片根据真人真事《芬妮的回忆录》改编，真实刻画了二战时 期犹太儿童的处境，这群犹太儿童们面对着成年人都不知所措的艰险逃亡，又将如何？这群孩子是否能成功逃到瑞士呢？ ©海德文

改编自《芬妮的回忆录》，真实刻画了二战时期，一家勇敢的犹太孩子们逃离纳粹迫害的经历，过程惊心动魄.